I don’t take on every project, and I don’t rush the ones I do.

Everything starts with a conversation - not to sell anything, but to understand what you’re actually trying to make and whether I’m the right person to be involved.

I work collaboratively and stay close to the process, whether that’s in a studio, on a set, or backstage at a show. My role shifts as needed: sometimes hands-on, sometimes behind the scenes, sometimes simply keeping things steady when they need to be.

Clear communication matters. Preparation matters. Trust matters.

If we decide to work together, the expectation is mutual respect, honesty and attention to the work itself - not noise around it.

That’s it. That’s the job.

“Simple Process - Serious Intention ‘

On Visual work -

Some projects live entirely in sound.

Others extend into visuals, narrative, and atmosphere.

The medium changes. The intention doesn’t.

(let’s face it - most artists Dread this part of the process - understandably)

Music videos aren’t treated as promotional content here. They’re another creative language - a way to extend the feeling of the music into something visual, intentional, and lasting.

About Me -

I’ve spent years building, breaking, and rebuilding creative worlds - learning what lasts and what doesn’t.

I’m not interested in chasing scenes or scaling for the sake of it. I’m interested in collaboration, trust, and projects that feel honest when you listen back months or years later.

Strange Productions is simply the framework that allows that work to happen. If you’re looking for something fast, cheap, or anonymous, this probably isn’t a good fit.

If you care deeply about what you are making, we’ll get along just fine.

From the Owner and CEO -

Hi! I’m Donna, and I have been using the pen name “LadyStrange” since 1991.

I don’t run a company, so much as I Am the Company. I’ve been creating for as long as I can remember - writing, acting in and directing plays, choregraphing dances, imagining music videos long before I knew what a budget or a crew was. Not because I was trying to build a brand, but because making things felt like the most natural way to exist in the world.

For a long time, I worked alone. Not out of preference, but out of necessity. So I learned how to do everything myself - concept, writing, choreography, props, lighting, sound, camera angles, directing, producing. If something needed to be done, I figured it out. That hands-on path shaped how I think creatively: I don’t see isolated parts, I see systems, flow, and how everything connects. What I do now lives at the intersection of music, movement, story, and visuals. I collaborate with musicians I respect - artists like myself with strong visions and curiosity - to create Magic together. That can mean co-writing, recording in the studio, directing videos, designing live shows, handling backstage production, or touring on the road and creating in real time.

I’m not interested in executing someone else’s idea from a distance. I want to be involved - thinking, shaping, adjusting, responding - until the work feels honest and alive! I care about the emotional core as much as the technical details, and I believe the best projects come from shared trust and collaboration.

There isn’t a neat job title for what I do, and I’ve stopped trying to invent one. I create, I problem solve, I connect dots, and I help turn ideas into something real - sometimes polished, sometimes messy, always intentional.

If you value collaboration, cohesion, and work that actually means something, we’ll probably get along.

-LS